Good news: I'm nearly done with my drawing project. I'll be finishing page 8 of 9 tonight and tomorrow. With luck I'll be finished with page 9 by the end of the weekend and into the corrections and and touch-ups and polishing early next week.
Bad news: I'll probably be blogging a lot more very soon.
I wanted to post up a quick blog for two reasons.
1.) Heath posted "Dead blog" in the comments. His occasionally writing this doesn't prompt me to write a new entry
every time I see it, but it does work some of the time. So here you go.
2.) I got two comments on random old posts within one 24-hour period. I'm going to throw them up here right now because it's a super easy blog post, and because these comments are very nearly interesting.
a.) First, the shorter one, posted up at 6:27 this morning on my "Chronicles of Riddick" review from way back in the day:
"The Chronicles of Riddick is a story that made a lasting impression on me.
Went to video rental shop and saw the title and decided to give it a try...and good lord was i surprised??
After seeing the movie went back to the shop to rent the Pitch Black. The both movies were shockingly good that I had to buy both DVD's in DVD store. I put it in a same category of epic proportions movies such as The Lord of the Rings. Can't wait to see the third sequence of Riddick in theater and then buy the DVD again to finish my collection.
Vin Diesel is just too damn good actor. Tony"
b.) And here's the other, posted up at 4:25 this morning on my "Dark Knight" blog where I try and get at who might be the villain for the third Batman movie:
Ok, I have thought about this long and hard and the villain I think the main villain in the next Nolan Batman movie should be…(drum roll please)…the Penguin. Yeah, I know a lot of people out there are against the Penguin, and I know Chris Nolan has stated that he believes the Penguin would be one of the harder villains to pull off, but I humbly disagree. Bare with me as I list the reasons why I think he would work and why I think he is one of the best, most unappreciated Batman foes, as well as counter some familiar criticism about him:
1) He is realistic: The thing about the Penguin, like almost all of Batman's Golden Age foes, is that technically he his not a super-villain - he is an arch criminal. And there is a big differenced between the two. A super-villain is just the evil version of a super-hero, someone who possesses powers and abilities beyond us, while an arch-criminal is a specific type of criminal in the real world but shown in a larger than life manner. Catwoman is the femme fatale/cat-burglar writ large; Joker is the psychotic anarchist criminal; Two-Face is the idea of victim turned criminal; hell, Batman isn’t even a superhero in the original comics or Nolan’s series, he is a classic pulp masked vigilante, more akin to the Shadow, the Spider, The Scarlet Pimpernel and Zorro than Superman or Spider-Man. The Penguin fits right in there with that same vibe, since he represents the professional, organized criminal (with an added touch of being flamboyant and stylish). Having said that, it makes it easier for me to believe that a flamboyant gangster with an gun hidden in an umbrella fits Nolan’s universe more than a man with a freeze gun or a woman who can control plants does.
As an arch-version of a gangster, have the Penguin be the new crime boss in Gotham. With all the chaos that the Joker caused, it wouldn’t be that hard to believe that the underworld would be turning to someone to bring order and help them reorganize, and I could even see the normal citizens and politicians of Gotham support him. After the fall of Saddam in Iraq, chaos reigned in Iraq and one of the big fears amongst our politicians and military experts was that the people of Gotham would turn to a strongman and dictator preferring tyranny to anarchy. Same thing happened in Germany after WWI when Hitler rose to power. Well, after Batman smashed the mobs to only have the Joker fill their void; I can easily see the people of Gotham saying they wouldn’t mind a strong organized crime boss keeping the crooks in line – they might still have crime but at least the wouldn’t have anarchy. And from such roots tyrannies are built.
2) He is both dangerous and intelligent: The Penguin in his early history wasn’t nearly as ridiculous or as incompetent as he is now. In his first couple of appearances he killed people, maybe not as often as the Joker but he definitely had a ruthless streak. He also was the first villain to actually escape from Batman and outsmart him. The Joker got busted by Batman in all of his first appearance (or at least appeared to mysteriously die), but not the Penguin; an actual running theme in all of Penguin’s early stories was that he somehow managed to escape. This only stopped after the editorial staff demanded that the Joker stop killing people and the Penguin stopped getting away because they felt it showed that crime did pay.
The other thing about being intelligent means he plots. He has his own goals and ambitions which do not always involve Batman. What realistic plots could Mr. Freeze, Poison Ivy, Bane or Deadshot have? I mean, Bane and Deadshot would have only one goal/plot – kill Batman. Doesn’t really give the screenwriter’s much to work with. The Penguin, on the other hand, would want to pull of crimes, become the boss of Gotham AND kill Batman (or at least neutralize him). Plenty of more material for the screenwriters to work with.
3) “But isn’t he ridiculous and corny?”: He was not nearly as cheesy as Joker was in the late 40’s through the 60’s. Sure he used trick umbrellas, but Joker was doing just as corny things, like having his own utility belt or trying to have a contest with Clay-Face. And while Joker was allowed to be updated and modernized, for some reason the Penguin has been forced to stay in same old character-mold when Burgess Meredith did him. That would be like letting the Caesar Romero interpretation of the Joker be the definitive one.
However, if I can offer a suggestion to help make the Penguin relevant again, it would for him to lose the top hat and tuxedo (or at least not wear it all the time). When he originally appeared that was the clothes of choice for a sophisticated gentleman going out on the town, but not anymore. He should be dressed in sartorial splendor by today’s standards, wearing Armani and Brioni suits, with Seville Row shirts and an expensive Burberry coats, and replacing his cigarette holder for expensive cigars. I mean if Lex Luthor can get a makeover and not have to wear the lab coat or the grey smock he wore when he first appeared, why does the Penguin have to so fashionably out of date?
And yes he has a funny name and appearance, but who says criminal masterminds have to be scary looking? I mean, look at the history of the mob in the U.S and you’ll see that most crime bosses had funny nicknames and were not that intimidating looking: Tony The Ant, Joey the Clown, Murray “the Camel” Humphreys, Vinnie the Chin, etc. Crossed them, however, and you’d be wearing concrete shoes at the bottom of Gotham Bay. Make the Penguin a short, sartorially aware crime boss who earned his nickname because of his walk (imagine Vito from the Sopranos) and uses an umbrella as a cane just like how some people use a putter as a cane.
And the thing about the Penguin is that he supposed to be underestimated. It is the reason the umbrella was chosen as his weapon – it serves as a metaphor for the Penguin’s character and nature. Like his umbrellas, the Penguin appears as something completely harmless and even mundane, but also like his umbrellas it actually conceals something very deadly that people completely underestimate. The umbrella doesn’t have to be outfitted with a hundred different weapons, just the ones he had when he first appeared – a concealed blade and gun (plus it is weighted to be used as a bludgeon).
Besides, who says ridiculous looking people can’t be powerful or scary? I mean, the world was terrorized by a short little Corsican in the early 19th century, and in the 20th century an Austrian painter with a Charlie Chaplin moustache and a tendency to yell comically during rallies became the greatest villain in history.
4) Go back to the basics: Just like how Nolan only used those elements from the Joker that would fit his version of Batman, so could Nolan cherry pick through the Penguin and only use those elements that mesh with his vision. I mean, Nolan pretty much discarded anything about the Joker post 1940’s, getting rid of the entire Red Hood origin and focusing only on his first couple of appearances. Well, the same could be done with the Penguin: hell, his real name of Oswald Cobblepot wasn’t revealed until 1981 in DC Comics Blue Ribbon Digest, along with his origin of being a rich kid raised by an over protective mother. For 40 some years he wasn’t hampered by that ridiculous back-story and tacky name, but instead was just a sophisticated criminal who had an interesting nickname and gimmick (umbrellas and birds). That leaves you plenty of room to reinterpret him.
Like the Joker, they should avoid an origin story and have the Penguin entire as a complete character. And also like the Joker, it should be a story about the rise of the Penguin (similar to his very first appearances in the 40s). The Penguin appears, is underestimated by even the other criminals, and before anyone knows it he is the head of crime in Gotham City.
5) “But the Penguin isn’t a physical threat for Batman”: Many people will say that the Penguin would not be as intimidating or as dangerous as the Joker, and wouldn’t scare the audience as much as the Joker did, or have them view him as a big enough threat. I have to say yes and no to that idea. Yes, on a personal one-on-one basis the Penguin is not going to give Batman as good as fight as the Joker, but than again the Joker wasn’t that much of a physical threat to Batman either. The Joker in the Dark Knight mostly challenged Batman’s belief system, not his physical safety. Also, who says that a great villain has to be a physical threat? I mean, Goldfinger and Blofield are probably Bond’s greatest challenges, and they are no matches for him physically. Same with Moriarity, Sherlock Holmes arch enemy, and Superman’s foe Lex Luthor.
Plus, why should the Penguin be required to fight Batman one-on-one? If the Penguin truly is a criminal mastermind he would avoid confronting the Dark Knight any way he could. Why fight a master of martial arts? Instead, a smart crime boss would instead have henchmen and minions fight Batman, and some of those guys could be pretty tough. Think of Bond movies where the main villain always had one or two really tough henchmen who served him.
Or look at gangster movies like the Godfather or the Untouchables, where the big boss isn’t always the toughest guy out there. Vito and Michael Corleone are not fighters like Sonny, but ruthless crime bosses who command killers like Luca Brassi and Al Neri. Sure they are capable of killing people, but usually by being cunning and taking people by surprise. They are not soldier’s however (excluding Michael’s stint in the marines, of course) but manipulators. The same with Al Capone in the Untouchables: he might bash someone’s head in at a meeting, but that doesn’t display his toughness as much as his willingness to kill and be ruthless. He isn’t dumb enough to take on Elliot Ness himself, but instead sends his own killers such as Frank Nitti against him and his Untouchables.
Instead of having the Penguin physically confront Batman, have some of his henchmen confront the Caped Crusader. Amongst his servants could be a who’s who of tough-guy character actors: Chuck Zito, Danny Trejo, Kimbo Slice, Tyler Mane, Brock Lesnar, etc. Plus, who is to say the Penguin has to be the only villain in the movie? I mean, I could easily see him harboring hatred for both Batman and a female cat burglar who won’t bow to his rule, or him having a couple of tough enforcers that work for him (maybe one who is a “deadshot with pistols and the other has a rare skin disorder that makes him look like an alligator or crocodile).
6) The Penguin could represent a new type of villain and be more relevant: The Joker (and Scarecrow and Ra’s al Ghul) are basically metaphors for terrorism and the anarchistic, nihilistic forces out there. And since 9-11 that has been the public’s biggest worry. But since the collapse of the economy I believe people will have find someone new that they hate more, and that is CEOs, the heads of Wall Streets and politicians. Basically, all of the powerful people who they feel control their lives and they are powerless to stop because they are too rich and connected. And the Penguin can represents those forces much better than any other Batman foe could. Just like in the 50’s and 60s in such movies as Underworld USA and Point Blank, where the underworld used as a metaphor for the corporate world, so could the Penguin be used to represents the heads of businesses and the hedge fund managers who manipulate the government for their own profit.
And like the Joker who had a philosophy why he did all of this (he was a nihilist who wanted to throw Gotham in anarchy), the Penguin would be a man who believes everyone has a price – even Batman. Sure, sometimes the price isn’t money, but if you find the right leverage anyone can be bought. Think Don Corleone, “I made him an offer he couldn’t refuse.” The Penguin is the ultimate businessman.
7) And finally, look at the fake 1940’s Orson Welles’ Batman trailer on youtube. How can you say he doesn’t work as a Batman foe after looking at Edward G. Robinson’s “version” of the Penguin:
http://www.youtube.com/watch?v=Lu5tJGfZsgc
Sorry to ramble on, but I am a big fan of the Penguin and think he has been getting a short end of the stick by Nolan and others out there.
Posted by Thomas to Crane's Inanities at 4:25 AM"
Obviously, I didn't read all of that, but just from what I skimmed through, the dude makes some good points. Even though the idea of Penguin as the main villain in a Christopher Nolan Batman movie seems laughable on its face, it doesn't seem so implausible if you look at it.
Anyway, the hiatus ends soon.
Anyway, The trailer is up finally for Spike Jonze' upcoming adaptation of Maurice Sendak's classic children's book "Where the Wild Things Are." Here's another instance of a trailer's song perfectly suited to the visuals, Arcade Fire's brilliant "Wake Up" playing over some striking imagery. (The trailer houses right cranking some of these trailers out right now are, I think, creating consistently brilliant film art. I know in reality these guys are just re-using what other artists have created, but the trick of distilling a 2-hour film down into a minute and a half and, on occasion, evoking an emotional response sometimes more powerful than the film itself is able to, is a real feat.)
